Box' of Shaded Memories #12

Gowns in the Sun

An Opening Inquiry on Contentment

I have concluded - through literature, observation and experience - that choice and recognition are the strongest determinants to contentment or discontentment. The first, choice, has two not necessarily related categorical aspects - the having of choices and making good choices. To take money for example, having money gives you choices and even if you don't do anything with the money, the psychological cushion of being able to make choices is significant. Making good choices with your finances, be it an opportune investment or shopping for a good deal, also contributes to contentment. On the contrary, having the lack of choices or making bad choices bring much discontentment - in part due to real consequences, in part psychological - to the actor. Of course, this is not restricted to money and can be applied in many cases where there are decisions to be made.

The second, recognition, is more complex. Being recognised extensively and positively, for whatever reason, lends itself to contentment. The value of the positive here happens in a context. A drug lord scoring a major business is recognised positively by a certain group of people, but recognised negatively by another. As such, it depends very much on how the actor's thought system is aligned and to which 'milieu'. The extent and quality of recognition are obvious augmenters of its contribution to contentment.

What do you believe in?

Ideologies present limited versions of reality and expanded prophesies of what the future holds.